Deported laundry

nervous harmony
ambition
operatic excelled
localities in sacred form
splendor in group instrumentation
tendencies in diverse lofty pursuit
standard customary d’amore

while imperial establishments
invite cordial circles
predilections remain

having died from long experience,
less distinctive services, mention
Miller and Blake. One meeting
dressed in black vaudeville circuses
along turnkey compositions. One
young man from Alabama advertising
love, contained characters,
discovered theatre, represented
assaults by lay audiences.

negative propositions from
a hurried court, she is a woman
of argument, she has gained
a certain fame, ravissement pierces her texture
her tone and pace
opens elliptically
“Ha!” white and red
rounded moments
invective, fertile, withstands

wet with the rain of heaven,
see and hear the Most High God
dwelling in his glory. he learned
his heart, his gods of silver clay
where certain heads of houses cannot
stand to work. Over this
it is turned away from us.
Sennacherib stricken, to grief,
to grain.

Can you turn away again?
hostile to translation, culture
chimed with a curious challenge.
assumptions through consanguinity
heading significantly to broad kind
kinships, for well-being, for group
filiations for Francophone initiations.

from childhood
asking for more than food
reasons in detail
out of a wheel, an officer,
trying to learn privilege, untenable

elite structures take
marginal perspective
almost casually
corporate interest,
class interest
almost casually
losing their faith,
freely, from devolved members.

agrarian borders
structures of steep
metal frames
conceptualize
processes, pluralists
relationships

interacting with
Change